A behind the scenes look at the making of ‘Breaking Dawn - part 2’

A behind-the-scenes glimpse into making the 4th Twilight film.

Within the confines of an insane asylum languish many would-be seers and messiahs. Medical students meet them day in, day out. But when Eve meets Don Wake, she discovers he's not your run-of-the-mill paranoic. In fact, his visions of her life on the outside tread the line between fantasy and reality as a stalker becomes known to her. She could be in danger; it could all be in her head.

Lust follows desire as sure as night follows day, but in these five stories from France, Switzerland, Brazil and Romania, reality takes an unexpected detour, and things turn out a little differently when sunrise comes.

A documentary crew has the chance to follow the self proclaimed "movie mogul" Nico Novac on his latest feature film.

An unfinished 1981 essay-documentary project by Orson Welles, based on a filmed Q&A session at USC following a screening of The Trial, intended as a reflective companion piece to the film but never edited or completed during his lifetime.

Behind the scenes of The Hunted.

This black & white educational film is about the United States Navy showing off its skills on the high seas during a mock war-games session.

A TV drama consisting of thirteen episodes about the trans-China/Japan collaboration of revolutionaries in the early twentieth century. It was Nagisa Oshima’s rare attempt to direct a TV drama in a social atmosphere in which Japan was embracing postwar prosperity as well as the effects of permeating mass media. Making an effort to reach out to the mass audience through a seemingly conventional method of filmic representation, Dawn of Asia takes up the epic of trans-Asiatic solidarity while challenging nationalism on both sides.

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.